Barcelona Arts Summer School

Mountain mammal, born in the high Pyrenees. I spend my life surrounded by grinder wheels and iron dust; my natural environment is the workshop. I compete in the heavyweight creation league, being the metal and construction my better-known field.

When finished Fine Arts in Barcelona, I got the purpose of learning to work the iron following a visceral wish, a natural intuition. I knocked on the doors of iron workshops and started to work with ancient lineage black smithers. Later, I started working with Antigua i Barbuda, Jordà Ferré's company. That introduced me to the show/scene world. I have been working for twelve years now in construction and performance of street machine theatre with Jordà and team.

I like to see creation as a daily action, and every day live as the best creation field. A creator is the one who deeply recognizes the factors at play, and plays to put them into practice harmoniously through inventiveness and imagination. I believe that taking life as the most exciting creation is the most revolutionary act we can do nowadays.

So, see you soon at the playground!

I’m Anna and I work as a Producer and Actress. I first studied Architecture (UPC), ending up graduating in Drama from ESAD Institut del Teatre. As an Actor, I’ve lately played ‘Grand Canyon’ by S. Pompermayer (FOCUS) and Ibsen’s ‘A Doll’s House’ (Sala Atrium), and casted for ‘Cotorra’ by A. Calderon and ‘El Flam’ by J. Moreno shortfilms. Earlier, I shot the film ‘Zombie Pizza’ by M. Dudko (Untamed Pictures NYC) and have been a company member at National Classical Theatre Company in Madrid (2018-21). As a Producer: Tour Road Manager for ‘La Majordoma’ by JM Miró (Heartbreak Hotel); Creative at ‘La ruta de les flors’ (Palau de la Música); Producer for ‘Festival BASS 2025’; Executive for ‘King Kong Theory’ by Despentes (La Virgueria); Production Management for ‘El Mago Pop On Broadway’; Producer and Executive in the film ‘Jusqu’ici tout va’ by F. Cuéllar; Logistics for ‘Welcome to Eden’ (Netflix-Brutalmedia).

Bibiana Güell is a cinematographer and lighting designer based in Barcelona with experience in documentary, commercial and short film. Her academic background in cinema and her passion for image, make her approach performing arts through the camera: working as a camera operator with Agrupación Señor Serrano in multidisciplinary pieces such as Una Taula or the opera Tenorio, premiered at Teatro Real. In them, live projected images bring new meaning to the scenes.

As a lighting designer she has worked in experimental and immersive pieces, where light plays with the performers as well as with the audience, whether it’s guiding them, exposing them or creating discomfort.

Currently she is shooting her latest documentary as a DP and rehearsing Señor Serrano’s next play, to be premiered at TNC.

Iris Amat graduated with a degree in Cinematography from ESCAC with the short film “Aves de corral” (Poultry), which she directed and wrote, and which she had previously developed during her residency at Acció Curts de Dones Visuals. After its completion, it was part of the Too Cool For School program, which took it to markets and festivals such as the Cannes Film Festival 2022 and Clermont-Ferrand Film Festival 2023, Aguilar del Campoo, the Trouville Off-Courts Festival, and the Busho Film Festival.

Alongside her projects as a creator, she worked in post-production as a supervisor, participating in various films and series such as “El Canto de las Manos”, “Asalto al Banco Central”, “Pubertat”, and “La Sociedad de la Nieve”. As a result of this work experience, she also began teaching at institutions such as ESCAC, JEVA ORG, Mediapro, and the Miguel Hernández University. She recently made the leap to stage direction with “Mama ex machina,” a play created at the Els Malnascuts, laboratory and premiered at the Sala Beckett in Barcelona. She is currently producing her second play, “Parking,” which she wrote and directed.

Jose García is a producer and project coordinator specialized in the intersection of arts, logistics, and technology. His career is defined by versatility and high-pressure environments, having spent eight years navigating international waters as a crew and logistics coordinator. His extensive experience in the film industry includes participating in a production produced by Steven Spielberg and serving as a production coordinator for the series El Barco. Jose has also led complex logistics for prominent music and contemporary art festivals, managing international artist bookings and technical teams. Currently, he is the founder of Scenia Studio, where he implements generative AI workflows to optimize audiovisual production. At BASS 2026, he brings a pragmatic vision and technical expertise to foster interdisciplinary collaboration and push the boundaries of creative innovation.

Hello! My name is Lia Gómez and I’ll be a producer in the Bass program.

Last year, our group developed an immersive video projection with the support of Desilience and the facilities at XRLAB.

This will be my second year working as a producer for Bass, and I’m very excited to be part of this new edition and see what the creatives will develop this time.

My studies background are based in design, motion graphics, and the audiovisual field. I love working on creative projects from pre-production, where ideas are born, through production — making it all happen — and into post-production, where everything comes together and adding final details.

I really enjoy combining technical knowledge with artsy and challenging concepts.

I strongly believe the Bass is a unique opportunity for everyone involved — creators and staff alike — to build confidence, strengthen teamwork, and grow professionally while still enjoying the process and having fun. It also teaches us how to transform challenges or frustrations into new creative solutions, and motivating people through projects that push both creativity and collaboration.

See you soon!

Bachelor’s degree in Music Production and Management from the Escola Superior de Música de Catalunya (2023–2024). Currently part of the production team at the Escola Superior de Música de Catalunya, responsible for coordinating the school’s activities.

Interested in projects that connect music with other artistic disciplines. She has worked for companies in the sector such as The Project Music Company, and on various interdisciplinary projects, including the contemporary music series “Difraccions” and the first edition of the Barcelona Summer School (BASS). She has also been part of the production and hospitality teams at festivals such as Festival Cruïlla, SonRías Baixas, and the Barcelona International Jazz Festival.

Nicolas Tabilo is a chilean filmmaker, producer and editor working at the edges of documentary cinema. His work has been presented at IFFR, Jeonju IFF and the Cinémathèque du Centre Pompidou, among others.

Sara Farré i Vicente is a performing arts technician, specializing in stage management, production, and technical coordination. Trained in Set Design at the Institut del Teatre, followed by a Postgraduate Degree in Production and Management of Shows (UB), she possesses a hybrid profile that combines a creative vision with management skills. She will participate in the 2027 Prague Quadrennial of Set Design representing Catalonia with the project "Això és una excavació" (This is an excavation). She has worked in theaters such as the TNC and the Teatre Lliure, and has collaborated with companies like La Calòrica and LaPerla29. She is known for her ability to coordinate multidisciplinary teams, resolve issues, and organize effectively, contributing creativity, spatial awareness, analytical skills, and commitment to every process.

Silvia De Teresa is driven by a desire to reimagine how music and art can be experienced. She engages with her audiences in performances that intertwine sound, movement, and collective presence. Her practice as a pianist, performance maker, educator and producer explores shared creative agency as a means to generate meaningful social impact.

She has performed at venues and festivals including L’Auditori (Barcelona), Paradiso (Amsterdam), Holland Festival, and Düsseldorf Festival. She was selected to present her research at the EPARM 2025 in Tallinn, Estonia. She holds a Bachelor in Classical Piano from ESMUC, Barcelona, and a Master’s in New Audiences and Innovative Practice from the Royal Conservatoire of The Hague. Silvia is a Spanish artist based in The Hague, The Netherlands.